…with the emphasis on the reading.
Stumbled across the Washingon Post’s capsule reviews of current DVDs and they’re so well-written — and such jewels of reviews — that I couldn’t stop reading (though I often disagreed). Often bad reviews are a treat — the NY Times does them well — but here both bad and good are a pleasure to read just for the skill with which they are written. Unsigned — don’t know who writes them.
Some examples:
“ Boy A” : Directed with unerring assurance and sensitivity by Irish filmmaker John Crowley, this finely tuned chamber proves that cinema doesn’t have to be spectacle-driven to be spectacular….the film unfolds like a thriller, but winds up being a powerful meditation on power, manipulation, trust and redemption. A cloud of tragedy hovers over the film, and when it finally descends, the film’s grip begins to tighten with wrenching finality. It’s beautiful. I loved it. And it broke my heart.
“ The Happening” : If you like suicide, here’s your main ride. All others, steer clear. …
“ The Visitor” …The film gives viewers a perceptive, deeply personal take on the timeless immigrant narrative, in which the most epic journey is finally one of self-discovery.
“ The Strangers”….A fellow passing by the house has his windshield blown out by a shotgun. Does he step on the gas? No, he gets out of the car and walks into the house showing clear signs of violent disturbance. A tragedy soon follows, but not as big as the one that compelled me to sit through the whole thing.
“ Star Wars: The Clone Wars” I’d go on explaining the plot, but you’d think I was high.
“ WALL-E” …It is a jewel of a film in conception, execution and message.
” Death Race” It might not be possible to make a film with less plot and more action without catalyzing some drastic change in the whole form… Although some critics detected elements of satire and political commentary in the original, all of that has been successfully eliminated from the current model. It isn’t so much a movie as a superheated, highly conductive miracle substance for the pure transmission of masculine aggression and misogyny.
” Henry Poole Is Here“… . The film takes a few surprise turns on this cruel journey. But a few smart turns in a forest of stupid doesn’t make a film smart.
” Disaster Movie” … This is a movie for anyone who gets the giggles from watching Amy Winehouse burp repeatedly or breaks into laughter when seeing a singing chipmunk bite a man’s crotch.
” The Duchess” …Everyone loves Georgiana, or will, except maybe women who are pregnant, or have been: By the end of the film she has given birth to four children, and she still looks like Keira Knightley.
“ Man on Wire” …” tells a gripping, affecting story but also a deeply cathartic one, as a place of loss and grief is transformed, briefly, into a place of transcendence and lyricism.
“ Transsiberian” … The story won’t pass the most rigorous logic tests, but it doesn’t insult your intelligence either. All in all, the film is an excellent, if modest, alternative for moviegoers who have been blockbustered into submission this summer.
“ Hellboy II: The Golden Army” … the screen’s most lovable anti-superhero, a giant the color of boiled lobster with Chiclet teeth and a really bad attitude… The enterprise reeks of authenticity, and is shot through with the franchise’s signature goofiness, sarcasm and good heart. As he has done in all his movies, del Toro creates unforgettable images, filled with color, texture, lyricism and horror.
” Never Back Down” … This is teensploitation at its most obvious: a boneheaded cliche-rama built around six-pack-ab standoffs between preening studs. .. Well, read this message: OMG DNT GO!